My works of fiction operate between the mythic and the ritual, blending fieldwork, folklore, and speculation. They are acts of imaginative archaeology — narratives that summon the past as presence and use story as a means of uncovering the unseen.

These texts are not merely told but performed through language; they inhabit the thresholds between history and invention, faith and myth, the document and the dream.

The Blood King: Slaughtaverty Voices (2025)

A work of speculative mythography rooted in the folklore of Abhartach — the “Blood King” of Slaughtaverty. Told through interwoven voices, it reimagines early Irish landscape and ritual as sites of haunting and remembrance. Drawing on historical trace, linguistic residue, and poetic reconstruction, it asks how violence, silence, and story become bound within the earth itself.

The Great Antler Ley (forthcoming 2026)

A continuing speculative fiction and ritual fieldwork that traces a network of ley-lines, soundscapes, and mnemonic geographies. It blends fact and fabrication, drawing on archaeology, acoustics, and mythic cartography to explore how the land listens back.